Bio-art, as a branch of aesthetics, refers to the living art (or art created by living elements), and is a neologism that appeared at the beginning of the 21st century, which integrates a mega-diverse set of artistic activities related to transgenic art (that which refers to genetic engineering), biotechnological art, (which is defined through genetic […]
There are (and perhaps always have been) two philosophical currents that orbit the cult of “efficiency” of human qualities through any technology that can be integrated into human behavior, physiology and anatomy; these philosophical currents are known as Transhumanism and Posthumanism. Although both share the hypothetical notion that humanity can move towards a technocratic ideal […]
The more the benefits of 3.0 web (i.e. data decentralization and user-focused multimedia interconnectivity), the more the qualities of exchange of goods and knowledge through blockchain-based art projects that can be derived into technologies for social, economic, political and even aesthetic development become apparent, which would see their origin in the amalgamation of non-fungible tokens […]
It is undeniable the relevance, for any art, of the mastery, at least basic, of the fundamental techniques that constitute it; In the case of plastic art, before considering the hyper-specialization that bio-art represents, and in which I develop as an artist, it was necessary for me to know drawing and its derived forms such […]